Munal presents new exhibition: 'Vanguardia dialogues'

The National Museum of Art, better known as Munal, is ready for the arrival of Avant -garde dialogues, An exhibition that brings for the first time to Mexico City Renoir, Pissarro and Manet for all impressionism lovers.

The sample, composed of nine pieces of the collection Pearlmanoffers one unique opportunity to admire these works and establish a visual dialogue between the European art of the late nineteenth century and the creations of Mexican artists.

The munal will be the headquarters of this new impressionist exhibition in the CDMX.

Courtesy of the munal

The new Munal exhibition

In Avant -garde dialoguesattendees will be able to observe the contrast of the luminous brushstrokes of Renoir, the bold portraits of Manet and the delicate atmospheres of Pissarro with the creations of our national artists. And is that one of the characteristics that most attracts attention is that this exhibition invites An enriching dialogue that transcends geographical and temporal borders.

The similarities and differences between these works reveal how impressionism, far from being an exclusively European movement, He inspired and was influenced by artists from around the world. Therefore, this exhibition challenges our perception of art and invites us to rethink the notion of cultural identity in the emblematic building of the Munal in the historic center of the CDMX, where there is a wide collection of Mexican art that reflects the artistic evolution of the country over centuries.

Outstanding works by artists such as Vincent Van Gogh will be part of this exhibition.

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What do these artists have in common?

This exhibition stands out to various impressionist artists, who revolutionized painting in the nineteenth century. Impressionism, known for its focus on the capture of light and movement at the precise moment, sought to represent reality objectively, as perceived in a fleeting moment. The most famous works of this artistic current are, for example, THE NEENS OF THE NENUFARS Claude Monet, or The rowers lunchto renew.

Light, color and brushstroke are the fundamental pillars of impressionism. Impressionist artists, through brief brushstrokes and pure and vibrant colors, sought to capture the instantaneity of visual perception. When applying colors directly on the canvas without mixing them on the palette, They achieved a luminosity and a sense of movement. Although the brushstrokes may seem unconnected, when moving away, the viewer perceives a clear and vibrant image, as an instant photography of reality.